FullSynopsis. In bustling 1962 Hong Kong, Chow Mo-Wan moves into a new apartment with his wife. The same day Su Li-Zhen moves in next door with her husband. At the end of my film In the Mood for Love, there was a caption: He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see
SynopsisFeel the heat, keep the feeling burning, let the sensation explode. Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other. But the feeling is perhaps most palpable with "In the Mood
In The Mood For Love Hong Kong, 2000 5/5 Feelings can creep up just like that. I thought I was in control. RottenTomatoes 90% IMDb 8,1/10 Metascore 85/100 NikenBicaraFilm 5/5 Rated PG Genre Romance, Drama, Art-house Directed by Wong Kar-wai ; Produced by Wong Kar-wai ; Written by Wong Kar-wai ; Starring Maggie Cheung, Tony Leung ; Music by Michael Galasso, Shigeru Umebayashi ; Cinematography Christopher Doyle, Mark Lee, Ping Bin ; Edited by William Chang ; Distributed by Universal Pictures US ; Release dates 29 September 2000 ; Running time 98 minutes ; Country Hong Kong ; Language Cantonese. Shanghainese Story / Cerita / Sinopsis Mengambil lokasi di Hongkong di tahun 1962, In The Mood For Love bercerita tentang kedua orang yang sudah menikah, Mrs. Chan alias Su Li-Zhen Maggie Chung dan Mr. Chow Tony Leung yang hidup bertetangga dan kemudian mengetahui pasangan mereka masing-masing berselingkuh. Keduanya lalu menjalin pertemanan, sebelum lambat laun menyadari bahwa keduanya saling menyimpan perasaan. Review / Resensi Perlu diketahui terlebih dahulu bahwa saya nggak cukup familiar dengan film-film Asia baru-baru ini aja saya aware bahwa Asia ternyata bisa bikin film yang bagus, selama ini saya terlalu American-minded. Belum pernah nonton film-film Wong Kar-Wai, namun nama beliau sudah sering saya dengar setiap ada yang menyebut best Asian director. In The Mood For Love adalah salah satu film Wong Kar-Wai yang sering disebut-sebut sebagai salah satu karya terbaiknya dan bahkan baru-baru ini menduduki peringkat ke-2 dalam daftar film terbaik abad ke-21 versi BBC nomor 1-nya Mulholland Drive, and to be honest I'm not really understand why people loves Mulholland Drive that much. Dibintangi oleh Maggie Cheung dan Tony Leung, In The Mood For Love bercerita tentang Mr. Chow Tony Leung dan Mrs. Chan Maggie Cheung yang hidup bertetangga di sebuah apartemen. Keduanya kemudian mengetahui bahwa pasangan masing-masing berselingkuh satu sama lain, dan hal ini membuat mereka lalu menjalin hubungan lebih dekat daripada sekedar tetangga. Namun keduanya memutuskan untuk menjalin hubungan platonik, karena - terutama Mrs. Chan, tidak ingin menjadi seperti pasangan mereka yang berselingkuh. Tanpa disadari dan pastinya sudah bisa ditebak, keduanya lalu saling jatuh cinta. Oke, harus diakui tempo lambat film ini membuat saya awalnya menonton sambil "nyambi" mainan handphone dan ini adalah keputusan yang buruk. In The Mood For Love adalah art-house movie, dan buat saya menonton art-house movie suka bikin pegel sendiri dan membutuhkan semacam mood dan strong determination dari awal supaya gag ngantuk di tengah-tengah film. In The Mood For Love bukan film yang bisa ditonton tanpa konsentrasi, karena penyampaian Wong Kar-Wai mengenai konflik emosional sang karakter dan plot ceritanya disampaikan dengan cara yang sangat subtle dan cenderung less-dramatic. Editingnya juga agak putus-putus sehingga kadang kamu bingung timeline antara satu adegan dengan adegan lainnya. Saya sendiri harus memperhatikan detail-detail kecil sebagaimana yang Su Li-Zhen katakan dalam salah satu scene "you notice things if you pay attention, seperti baju yang dikenakan Mrs. Chan atau dasi yang dikenakan Mr. Chow untuk tahu bahwa antar satu adegan dengan adegan lainnya ada di waktu yang berbeda. Demikian pula dengan setting tempatnya saya harus memperhatikan detail-detail kecil seperti furniture yang ada. Ketika film telah selesai pada percobaan menonton pertama kali yang disambi mainan handphone saya akui saya sampai harus nonton dua kali, saya nggak terlalu dapet kesan yang memuaskan mengenai film ini. Namun ketika menonton untuk kali kedua, ketika konsentrasi saya benar-benar tercurahkan untuk menonton filmnya dengan lebih memperhatikan detail-detail kecilnya, pada akhir film saya akhirnya memahami betapa indah dan sedih-nya In The Mood For Love. Tentu, pada akhir film saya menemukan mata saya berkaca-kaca. It really broke my heart. In The Mood For Love is a perfect movie about unrequited love. Mungkin ini sedikit spoiler, tapi biarlah, Pesona In The Mood For Love ada pada bagaimana Wong Kar-Wai menyampaikan kisah cinta yang menyedihkan ini melalui sinematografinya, properti dan tatanan pendukung visualnya, hingga scoring music dari Michael Galasso dan Shigeru Umebayashi yang sarat melankolia. Menonton In The Mood For Love bagi saya seperti menonton visual poetry, dan ini jelas bukan puisi cinta yang manis. Ending scene-nya yang melibatkan Ankor Wat, kala Mr. Chouw membisikkan rahasia perasaan cintanya, adalah momen yang bagi saya paling mempesona sekaligus menyedihkan. Sinematografi yang menawan, alunan musik yang indah dan sendu, serta dinding kokoh Ankor Wat yang menjadi saksi bisu ungkapan perasaan cinta dan rindu Mr. Chouw - ah it just a perfect end scene that make me cry a lot. Beneran lho, it dragged me down emotionally. Bagi sebagian orang, kisah cinta antara kedua manusia ini mungkin terasa sangat "bodoh", because they don't fight for their love dan kesannya terlalu mendayu-dayu. Namun In The Mood For Love mengambil waktu di Hongkong pada tahun 60-an, sehingga situasi sosial yang konservatif masih sangat kuat membuat langkah keduanya untuk bersatu sangat berat terlihat dari bagaimana gosip-gosip tetangga kepo yang menghakimi orang lain. Melalui secuplik percakapan singkat, kita juga mengetahui bagaimana keduanya menghadapi problematika rumah tangga mereka, Mr. Chouw yang mencoba untuk tidak terlalu memikirkannya dan lebih berkonsentrasi pada proyek mengerjakan novel martial-arts-nya, sedangkan Mrs. Chan sendiri lebih memilih mempertahankan pernikahannya dan lebih menjaga jarak dengan Mr. CHow karena tidak ingin melakukan hal yang sama dengan yang dilakukan suaminya. In The Mood For Love adalah film yang mencoba menyampaikan bahwa marriage is hard, infidelity hurts, love is complicated, and revenge for your spouse's cheating is not that simple. Saya cukup tertarik juga mengenai bagaimana Mr. Chan dan Mrs. Chouw pasangan masing-masing kedua tokoh utama tidak pernah ditampilkan wajahnya, membuat emosi penonton kepada pasangan yang selingkuh ini nyaris datar. Tidak ada pula mengenai penggambaran karakter keduanya, membuat kita sama-sama bertanya-tanyanya dengan kedua tokoh utamanya mengenai bagaimana atau mengapa mereka bisa berselingkuh. Overview In The Mood For love is a bitter romance story and wonderful movie about unrequited love. and is literally makes you in the mood for love. Menonton In The Mood For Love seperti menonton sebuah visual poetry yang disampaikan dengan subtle dan melankolis. Cukup melelahkan untuk ditonton penonton awam, namun sangat sepadan. Visual dan sinematografinya sangat menawan, dukungan scoring music-nya juga begitu indah, dan Tony Leung yang anyway kok kayaknya di mata saya mengingatkan saya dengan Ibas anaknya SBY haha dan Maggie Cheung juga bermain dengan baik.
Presentedin the Official Selection and in Competition in 2000, In the Mood for Love, by Hong Kong director Wong Kar-wai, made its lead actor Tony Leung win the Male Interpretation Prize and was awarded the Grand Prize of the Superior Technical Commission. The 4k restoration of the film made from the original negative was lead by Criterion and L'Immagine Ritrovata under the supervision of Wong
CalificacionesIn the Mood for Love - Day OneDirigida Por Wong Kar Wai China, 2021Cortometraje, Romance, Drama1SinopsisThe NFT feature is one-and-a-half minutes long and includes unreleased footage from the first shooting day of Wongâs most famous work, âIn the Mood for Love.âSinopsisThe NFT feature is one-and-a-half minutes long and includes unreleased footage from the first shooting day of Wongâs most famous work, âIn the Mood for Love.â
Inthe Mood for Love. NR, 1 hr 37 min. In 1962, journalist Chow Mo-wan (Tony Leung Chiu Wai) and his wife move into a Hong Kong apartment, but Chow's spouse is often away on business. Before long, the lonely Chow makes the acquaintance of the alluring Su Li-zhen (Maggie Cheung Man-yuk), whose own significant other also seems preoccupied with work.
Synopsis Feel the heat, keep the feeling burning, let the sensation explode. Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other. Cast Crew Details Genres Releases Cast Director Producer Executive Producer Writer Editors Cinematography Production Design Art Direction Composers Sound Costume Design Makeup Studios Countries Original Language Spoken Languages Alternative Titles StvorenĂ pre lĂĄsku, HuÄyĂ ng NiĂĄnhuĂĄ, In the Mood for Love - Der Klang der Liebe, AĆk Zamanı, íìì°í 늏ë§ì€í°ë§, è±æ§ćčŽèŻïŒ2000, Đ ĐœĐ°ŃŃŃĐŸĐ”ĐœĐžĐ” Đ·Đ° Đ»ŃĐ±ĐŸĐČ, Desitjant estimar, StvoĆeni pro lĂĄsku, In The Mood For Love, ÎÏÎčÎșÎź ÎÏÎčÎžÏ ÎŒÎŻÎ±, Deseando amar, Con Ănimo de Amar, ۯ۱ ŰŰ§Ù Ù ÙÙŰ§Û ŰčŰŽÙ, ŚŚŠŚ ŚšŚŚ ŚŚŚŚŚ, Szerelemre hangolva, è±æ§ćčŽèŻ, áĄááĄáá§ááá áŁáá ááááŹá§ááá, íìì°í, MeilÄs laukimas, Spragnieni miĆoĆci, Amor Ă Flor da Pele, DisponĂvel Para Amar, ĐŃĐ±ĐŸĐČĐœĐŸĐ” ĐœĐ°ŃŃŃĐŸĐ”ĐœĐžĐ”, ĐŃĐ±ĐŸĐČĐœĐžĐč ĐœĐ°ŃŃŃŃĐč, TĂąm TráșĄng Khi YĂȘu, è±æ ·ćčŽć Genres Themes Moving relationship stories Relationship comedy emotion, emotional, moving, sadness or feelings sex, sexual, relationships, erotic or sensual romance, emotion, relationships, feelings or captivating marriage, emotion, romance, relationships or feelings romance, charming, comedy, witty or delightful Show All⊠Premiere 20 May 2000 France Cannes Film Festival 26 Sep 2000 Spain San SebastiĂĄn Film Festival 14 Oct 2000 South Korea Pusan International Film Festival Closing Film 27 Oct 2020 South Korea Busan International Film Festival Restored Version Theatrical 29 Sep 2000 Hong Kong 21 Oct 2000 South Korea15 27 Oct 2000 08 Nov 2000 FranceU 26 Jan 2001 02 Feb 2001 USAPG 23 Feb 2001 Brazil14 15 Mar 2001 NetherlandsAL 29 Mar 2001 AustraliaG 31 Aug 2001 LithuaniaN-7 28 Sep 2001 Turkey 29 Oct 2020 Thailand 04 Mar 2021 28 Apr 2021 Italy 29 Apr 2021 Hong Kong 02 Jul 2021 FinlandS Physical 21 Jan 2002 Greece 06 Apr 2006 NetherlandsAL 25 Nov 2021 Germany6 TV 11 Oct 2002 NetherlandsAL Popular reviews More I remember back when this girl and I were still together, she once asked me when I fell in love with her. I told her it was like a house you pass every day on the way to work. One day, you notice a for sale sign on an empty lot. Another day you drive by and you notice they've laid the foundations. Another day, the walls are up, and another day there's a roof, a garage, and finally a family living inside. You don't know exactly when all this happened; you just looked one day and noticed it was there. I tell you this story because it reminds me of a line from In the Mood for Love -⊠this movie INVENTED the color red. pay up taylor swift The scenes where the main song of the film appears and the protagonists come and go in slow motion, are a cinematographic orgasm rarely achieved in the history of the cinema me wong kar wai Heres a reminder that love is painful and "in the old days, if someone had a secret they didn't want to share... you know what they did?""no idea.""they went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. then they covered it with mud. and leave the secret there forever.""what a pain! i'd just go get laid."still probably the definitive cinematic depiction of romantic longing and loneliness. every texture, color, composition, song and overall stylistic flourish contributing to an intense mood of lush melancholy. also helps that most of this movie is just two of the hottest hong kong actors of all time, sitting around beautiful mise-en-scĂšne in beautiful clothing, smoking and eating noodles sensually. This review may contain spoilers. I can handle the truth. if i was married to mrs. chan i simply would not cheat on her. rip to mr. chan but i'm different. For something called In The Mood For Love, this is one of the loneliest films Iâve ever seen. Pure those dresses were an absolute SERVE I'M IN THE MOOD FOR DEATH âIt is a restless momentâŠâWriting about âIn the Mood for Loveâ has always been a bit like dancing about architecture. âIf we could tell a film,â a frustrated Jafar Panahi once raged under house arrest, âthen why make a film?â If we could express in words the heart-stopping beauty of Wong Kar Waiâs sensually choreographed shadow tango or bottle the shudder of feeling that runs up our spines at the first strains of âYumejiâs Themeâ, he wouldnât have felt compelled to shoot it. For 15 months straight. To an extent thatâs true of all Wongâs work, which is singularly cinematic even in its shortcomings. But the feeling is perhaps most palpable with âIn the Mood for Love,â which was⊠you know how in the Sixth Sense the color red represents that ghosts are around? okay well this is just like that except red represents me wanting to fucking die and its in every shot These two should fuck!!!!!!! Among other things, this is a film about how hard it is to watch movies all the time when youâre married. Mentioned by
2046is a 2004 romantic drama film written, produced and directed by Wong Kar-wai.An international co-production between Hong Kong, France, Italy, China and Germany, it is a loose sequel to Wong's films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan's unconsummated affair with Su Li-zhen in 1960s Hong Kong and includes elements of science fiction
Best summary PDF, themes, and quotes. More books than SparkNotes. In the Mood for Love Summary It is the year 1962 in Hong Kong, thirteen years after the establishment of the People's Republic of China under the leadership of Mao Tse-tung, the same year Mao proposed the Socialist Education Movement that would be a major precursor to the Chinese Cultural Revolution. At this time, Hong Kong is seeing an influx in migration of mainlanders to the island, particularly those wary of political upheaval. The film begins in the bustling apartment of Mrs. Suen, who is engaged in a spirited conversation with her neighbors and mahjong partners, the Koos. A young married woman named Su comes to Mrs. Suen about the room she has listed for rent in her apartment. Su is inquiring on behalf of herself and her husband, who frequently travels for work. They're looking for a place to live in Hong Kong. Mrs. Suen rents Su the room. As Su is leaving, a young man, about her age, comes to Mrs. Suen's door. He's inquiring about the same classified ad. His name is Chow. Mrs. Suen tells him that she just rented the room, but that he should speak to Mr. Koo next door; he has a room to rent, because his son has just gotten married and moved out of the apartment. Shortly after this encounter, Chow and Su move into their respective rooms. Move-in is made even more hectic and claustrophobic due to both couples moving in on the same day, at the same time. Neither Chow's wife nor Su's husband is present for the move-in. The movers keep accidentally switching items, bringing Chow's things to Su and vice-versa. Once they're all moved in, Chow and Su encounter one another in the alley and by the noodle stalls, where they both often get dinner for themselves, in the frequent event that their spouses are working late. Life goes on as usual for a timeâSu works as a secretary to a businessman named Mr. Ho; Chow works as a reporter for a Hong Kong newspaper. The Suens and Koos are dazzled by the things Su's husband sends and brings home from his travels in Japan, particularly an electronic rice cooker. He brings one back for Mrs. Suen and Chow. He also brings back fine gifts for Su's boss, Mr. Ho. Specifically, the gifts are for Mr. Ho's wife and mistress. Su logistically facilitates Mr. Ho's affair by scheduling dates with his wife and mistress, making sure he has gifts for them on special occasions, and making sure the wires never cross, that both women are happy, and that Mrs. Ho never hears about his mistress. As the weeks go by, it becomes clear that Chow's wife is lying about where she is. One night, when she tells him not to wait up, that she'll be late home from work, Chow shows up at her workplace to take her out to dinner. Another person who works there tells Chow that she left early that day. Then, one afternoon, Su hears her husband's voice coming from the Suens' apartment. She knocks on the door, and Chow's wife answers. Chow's wife claims to be home alone after calling in sick from work. Su leaves the apartment, but cries to herself in the shower because she knows her husband is having an affair. Soon after Su's husband leaves for Japan, Chow's wife also leaves for Japan, supposedly also for work purposes. One night, Chow asks Su to join him for dinner at a nearby diner. He asks her out on the pretense of wanting to know where she got her handbag so that he can purchase his wife one for her birthday. Su tells him that she'd have to ask her husband, since he got it for her in Japan. They don't sell them in Hong Kong. Then Su asks Chow where he got his tie, and he tells her the same thing she told him about the bagâhis wife got it for him in Japan. Su admits that her husband has a tie just like it, and Chow admits that his wife already has the same type of handbag that Su has. They both recognize that their spouses are having an affair with one another. After they leave the restaurant, they start to theorize how the affair began. Then they decide to start roleplaying their spouses, in order to play through some possible scenarios. They start to see each other more often, meeting at the restaurant, each pretending to be the other's spouse. In the course of doing this, they become close companions. Chow shares with Su his dream of writing a martial arts serial for newspapers, and she encourages him to do it. They end up working together on a serial in their spare time. But as they spend more time togetherâcovertly, so as not to provoke rumorsâMrs. Suen takes notice of Su's general absence from the house. She lectures Su about being out too much and not spending enough time with her husband. She suggests that Su should try to prevent him from traveling so much in the future. After being shamed and lectured, Su pulls away from Chow, but Chow doubles down and gets an apartment in another building where they can work together in peace, without the prying eyes of their neighbors. At first, Su rejects the idea, but eventually she visits him at his new place, and they continue work on the serial. But after a while, Chow can no longer deny his feelings for Su. Recognizing that she will never leave her husband to be with him, he asks Su if she would set him up with a ticket to Singapore. His colleague at the newspaper, Ping, told him that the Singapore Daily is short-staffed and looking for reporters. Su asks him why he's rushing off to Singapore, and he admits that while it was never his intention to fall in love with her, he has, and that if she is unable to be with him, there's really nothing keeping him in Hong Kong. He says he needs a change of scene. But before he leaves, he asks her to rehearse their final goodbye, just as they rehearsed their confrontations of their spouses. While rehearsing, Su weeps into Chow's arms. It's clear at this juncture that their relationship has transformed into something genuine, far more than the roleplay as which it began. Three years pass by after Chow leaves for Singapore. Su visits Mrs. Suen's apartment in Hong Kong and finds Mrs. Suen in the middle of packing the place up. She's leaving for the United States to help her daughter raise her children. Suen admits that she doesn't want to leave Hong Kong, but her daughter is bothered by the political situation there, and that if she likes it in the she may never return. Su expresses interest in renting the apartment. She then asks if the Koos still live next door, and she holds back tears when Mrs. Suen reminisces about the times past, clearly thinking of her time spent with Chow. Some time later, Chow visits the Koos' old apartment to see if they still live there, but the man who answers the door tells him that they've been gone for a while. He says that everyone is leaving to escape the chaos of Hong Kong. When Chow asks whether Mrs. Suen is still in the apartment next door, the man says the same thing, but tells him that a young woman lives there with her son. Chow looks through the window and smiles, understanding that his relationship with Su is something that permanently lives in the past. The film then cuts to documentary footage of Charles de Gaulle visiting Cambodia, being greeted by the royal family at the time, calm and order just before a long period of unrest and war in Cambodia. The scene then moves to the temple, Angkor Wat, where Chow whispers a secret into a small hole in the temple wall. Afterward, he fills the hole with soil, enacting the ritual of burying secrets that he described to Ping in a restaurant in 1963, three years earlier. The film ends with sweeping shots of the vacant temple and a title card ruminating on the end of eras and times past.KBRN Jakarta: Film dengan judul Tune in for Love menjadi salah satu film favorit di Netflix dan telah dirilis sejak Agustus 2019 lalu. Film tersebut merupakan sebuah film romansa Korea Selatan yang digarap oleh Jung Ji Woo. Sejumlah artis yangSynopsis It looks like we don't have a Synopsis for this title yet. Be the first to contribute! Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide.
Forhis first film since the 1997 Hong Kong handover, auteur filmmaker Wong Kar-wai directs this moody period drama about unrequited love that, like his earlier work, swoons with romantic melancholy. Set in a Shanghaiese enclave in Hong Kong in 1962, the film centers on two young couples who rent adjacent rooms in a cramped and crowded tenement.
Covid19 put the film Blossoms, drawn from Jin Yucheng's novel of the same name, on hold, so Wong is focusing on the TV adaptation of the 1990s section of the book - 5 things to knowInthe Mood for Love de Wong Kar Wai avec Maggie Cheung, Tony Leung Chiu-Wai, Siu Ping Lam A Hong Kong, en 1962, Chow Mo-wan, journaliste, loue un Aller au contenu. Menu.zVwivb.
